Kellys heros movie clips
I'm aware that that situation might be developing. Look, Captain! You can't let them do this! I gotta get my men some broads they start freaking-out with each other! The General says we pull out, so we pull out. “I’m aware of that problem.” You've been aware of that problem ever since we got out of the water at Omaha! Look, why is it that every time we get to a town like Nancy, it’s these clowns with the clean uniforms and ties that get to ride the trucks into town and make their pitch? mortared on by Mulligan all the way from the Normandy beachhead! Look, Captain, we've been rained on, pushed on, bombed on. great restaurants, feather beds in rooms with hot water. Once they take Nancy, we go back into the line.Īw, Captain, I don't think you have the welfare of your men at heart here! This is a big, big town, with a lot of with a lot of passionate broads. We're pulling out and I want to see if this yacht is worth taking back to base.
KELLYS HEROS MOVIE CLIPS MOVIE
Once again, though other movies may have united Germans and Americans in touching tableaus serving to illustrate the meaninglessness of war, this movie unites them in a decidedly Marxist twist – the proletariat partners in crime united against the capitalistic bourgeoisie.Īmidst the French celebrating in the street (thinking they have been liberated), with General Colt mistaken for de Gaulle by the revelers and mobbed before he can discover the decimated bank and American soldiers making off with its loot, Lalo Schifrin’s and Mike Curb‘s strangely nostalgic and immortally memorable theme, Burning Bridges, plays out the credits, as Kelly’s unlikely heroes load the last of the gold onto their truck and literally drive off into the sunset.What are you doing in there, sir? “All you have to do to have an equal share in this money is crank that turret around – and blow a hole in that door.” Kelly’s plan: like any good American entrepreneur – to Make A Deal.
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All that’s missing are the spurs and ponchos.įrom out of the tank steps the commander ( Karl-Otto Alberty, oozing such searing Nazi authenticity it’s a wonder he wasn’t indicted for war-crimes after the film). close your eyes and you’re back in FOR A FEW DOLLARS MORE), they grimly (yet almost smirking for the audacity of the in-joke) stalk towards the tank, whose occupants silently regard this display of bravado – or temporary insanity. Joined by Sutherland and Savalas, and accompanied by Lalo Schifrin‘s score emulating one of Ennio Morricone’s evocative passages (i.e. In a scene directly spoofing one of Clint’s own DOLLAR standoffs, he faces down – across an expanse of dusty street – a Tiger tank. After his troop disables two Tigers, Kelly must find a more subtle way to subvert the last remaining Tiger, dug in directly in front of the gold-laden bank. Being a “war movie,” Hutton obviously received a fat explosives budget – and by Jerry Bruckheimer he was going to use it!īy the time they reach Claremont, Kelly’s armada of companies has been whittled down to only his troop and Oddball’s one remaining Sherman. Hutton (who also directed the other Eastwood war movie of this era, WHERE EAGLES DARE), this movie would have fared better – as a more entertaining diversion and as a better story – if it had concentrated on the aspects which separated it from other war movies of its day – the heist angle and the comedy – rather than adhering to war movie convention so perfunctorily: machine guns blaze away at every opportunity, mowing down Germans who couldn’t hit the side of a barn, with carpet-bombing padding out large segments of screen time. In their quest to pull off the perfect crime, with an actual pot of gold (worth 16 million dollars) at journey’s end, Kelly’s “heroes” inadvertently win battle after battle, carving a swathe of allied territory straight through the heart of German occupation – to the chagrin and delight of General Colt (frenetic Carroll O’Connor), who believes these troops are ploughing patriotically through enemy lines despite the hesitance of their commanders. Which accounts for Oddball’s hippie commune of “flower children” – a species that did not yet exist at the time of this movie’s supposed period.Ĭhief crewman of Oddball’s cadre of three Sherman tanks is Moriarty (engine-oiled Gavin MacLeod, long before he captained The Love Boat, here piloting The Love Tank), incessantly being accused and mispronounced by Oddball, “Always with the negative waves, Moriaritty! Always with the negative waves!” Released smack in the midst of the Viet Nam war (1970), the film’s coterie of quirky characters more readily reflects that era’s disheveled anti-establishmentarians, rather than the somewhat grittier G.I.’s of the actual Second World War. One: down to the road block we’ve just begun.
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Like THE DIRTY DOZEN without the meticulous planning. Kelly – take a detour from their futile war effort to heist it. These misfits hear of a cache of 14,000 German gold bars behind enemy lines and – led by Pvt.